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Celebrating over 25
Years of Contemporary Art at the
Courthouse Gallery!
For more than 200 years the pristine waters and majestic mountains of
Lake George have inspired artists to create some of their most
enduring work, from 19th century painters Thomas Cole and the Hudson
River School, to 20th century artists Georgia O’Keeffe and David
Smith, to a rich and diverse community of artists living and working
in the region today.
For over 25 years the Lake George Arts Project has presented
exhibitions of regional, emerging and established contemporary artists
at the Courthouse Gallery. In keeping with this mission, Art @ The
Lake, now an annual event, presents a new generation of artists
exploring their vision of Lake George.
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This year Art @ The Lake will take place
at
The Sembrich Museum in
Bolton Landing, NY, on the
shores of Lake George, Sunday, August 25, 2013, from 4-7 PM. Work
from over 30 contemporary artists will be on exhibit, and available
for purchase, with proceeds directly benefiting both the artists, and
the Lake George Arts Project. Light fare will be served with catering
by Lakeside Lodge.
Admission is $40, reservations required: (518) 668-2616.
Please consider becoming a sponsor for this event
Learn more here >
Artists exhibiting at A @ TL 2013:
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Marjolaine
Arsenault
Marjolaine Arsenault received a B.A. in Fine Arts, from Concordia
University, Montreal, Canada in 1984. Her background as a graphic
designer and later on as a garden designer is reflected in all her
pieces. Composition, color harmony and texture are integral to
every creation. Nature is her main source of inspiration. She is a
feltmaker artist who loves to create wearable art. Nuno feltmaking
invites the imagination to paint with fibers and to explore the
limitless possibilities for creating unique seamless garments and
accessories. She is a member of the Northeast Feltmakers Guild and
is exhibiting her garments in the Guild’s show “Creation Myths”.
She lives in North Creek, NY. |
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Robin Blakney-Carlson
Robin Blakney-Carlson works with felt as her primary medium. She
studied fine arts at California College of the Arts and Crafts,
Munson Williams Proctor Institute School of Art, and with numerous
master-feltmakers. Her work has been represented in exhibitions
and galleries throughout New York and New England.
“My
work is influenced by the shifting character of life and seemingly
mundane patterns that surround us. I am fascinated by the nature
of surfaces as they transform over time.
When I am felting, I find my sense of balance. I
manipulate multiple layers of wool, silk and textile fragments
with my hands, soap and water to create the foundation of my
compositions. It’s a very tactile, meditative process.”
Robin owns Luckystone Feltworks Studio in the Shirt Factory in
Glens Falls, New York. She has taught feltmaking throughout the US
and Australia. She is an active member of the Northeast
Feltmakers Guild and Surface Design Association. |
Cheri Bordelon
Cheri Bordelon, (born 1969, Marrero, LA) is a local event
photographer and freelance photojournalist. Her love of the
outdoors began to grow while exploring and fishing with her family
along the Atchafalaya River Basin, and the many other swamps,
bayous and wet lands in deep South Central Louisiana. She moved to
Alaska as a young adult, and explored mountain ranges and glaciers
while residing there for 14 years. She has been a resident of the
southern tip of the Adirondack Park since 2006. Cheri enjoys
observing the people, culture, and landscape as it creates a
surrounding environment. Her true passion is capturing the best of
people as they interact with each other and their surroundings by
use of traditional photography mixed with a photojournalistic
touch. |
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Elena
Bornstein
For the last ten years Elena Borstein has been living in the
Adirondack Mountains where sailing has brought about a new
direction in her work. The simple elegance of the sails, the
feeling of the wind, brilliant colors of the spinnaker and the
subtle shades of tone and form created by light reflected from sky
and water have all inspired her recent work. Borstein received her
B.S. Degree in Fine Arts from Skidmore College and her B.F.A. and
M.F.A. degrees from the University of Pennsylvania. Her work has
been in many solo and group exhibitions both in this country and
abroad including "American Realism" at the San Francisco Museum of
Modern Art in 1985, the Bronx Museum in 1978, 1986, and 1993, "New
Acquisitions" in the Everson Museum, The Herbert F. Johnson Museum
and the Museum of Modern Art. Her work was part of a traveling
exhibit organized by the Corcoran Gallery in Washington D.C.
called "The Liberation - 14 American Artists" which traveled to 11
countries. Borstein's work is included in many major collections
including the Museum of Modern Art, NY; Hayden Museum, MIT,
Cambridge, MA; Neuberger Museum, Purchase, NY; Everson Museum,
Syracuse, NY; and the Newark Museum, Newark, NJ. She currently
lives and works in New York City and the Adirondack Mountains. |
Lisa Brzozowksi
Lisa Brzozowksi fell in love with ceramics at Skidmore College
where she earned a BS in studio art. The marriage between art and
utility drew her to pottery. While developing her skills in the
useful arts, she apprenticed with some of the best production
potters in Massachusetts, Virginia and New York. She has traveled
internationally, paying particular attention to pottery in
different cultures. She was particularly influenced by her
travels in Japan, which she references in her current work of
candle lanterns. In 2004 she and her husband started a Pottery and
Gallery, Scenic Outlook Studios, Inc. on the Hudson River in
Riparius, NY. Along with her own pottery, she sold the work of 35
local and regional artists working in a wide variety of mediums.
This allowed her a close and personal experience with other
artists’ work as well as a better understanding of how the public
views and uses art. The lessons she learned while running the
gallery still informs her work. Currently, Lisa has turned from
production pottery to making one-of-a-kind detailed items. She
and her husband Ken live and work in an old warehouse building on
the banks of the Hudson River while frequently spending time in
Manhattan continuing their interactions with other artists and
absorbing some of the great amount of art New York City has to
offer. |
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Chicken
Coop Forge
The Chicken Coop Forge is artist-owned and operated by Jeannette
Brandt and Mike Parwana in the Adirondack Mountains of New York
State. Brandt and Parwana’s interest in blacksmithing quickly
turned from a hobby shop in the backyard chicken coop of their
home in Lake Luzerne into a career as full time smiths. Their
studio is now located near West Mountain in Glens Falls, NY on the
southeast corner of the Adirondack Park and only about a mile from
the Adirondack Northway (I-87). They create commissioned
heirloom-quality ornamental ironwork using traditional forging
methods and modern techniques. This includes a wide variety of
traditional and contemporary products forged in iron, steel,
bronze and copper. |
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Jean
H. Clark
Jean Holly Clark has
spent most of her life working in art. For many years she was the
senior designer for a stained glass studio in Manhattan.
Influenced by the thriving New York art scene of the 1980s, she
started to work on a more personal level. By the end of the
decade, She moved to farmland in Upstate N.Y. She studied drawing,
painting and textile design in NYC at the Art Students League and
the Fashion Institute of Technology. She also has attended
printmaking workshops at the Arts Center in Troy, N.Y. and at
Skidmore College in Saratoga Springs, N.Y. She says: “I am always
exploring layers, textures, space and containment within the
boundaries of paper.” |
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Katie
DeGroot
Artist's Statement: “I have worked from nature for many years, I
enjoy the discovery of a funny shaped leaf, or a fallen log
covered with bright orange and purple mushrooms blooming after a
rainy period. These found objects become a starting point for my
studio investigation. My artwork has always been based on a
traditional observation process, however the final appearance of
the objects in the paintings is informed by contemporary ideas and
concerns and more recently by my own quirky interpretation of the
objects’ personality. Where these found objects lead me in my
artwork has to do with my interests in surrealism and abstraction
along with the pure physical pleasure of using color and paint.”
Katie DeGroot attended New York University and Illinois State
University before living and working in New York City for nearly
twenty years. She now resides on her great grandparents farm next
to the Hudson River in Fort Edward, NY. Katie DeGroot is currently
the Director of Skidmore Colleges’ Summer Studio Art Program. |
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Anne
Diggory
Anne Diggory has painted out of her studio in Saratoga Springs for
over 30 years and has been featured in Adirondack Life, American
Artist Magazine, and the NY Times. She is known for her
combination of accurate detail with expressive painting and strong
abstract structure – an outgrowth of education at Yale, Indiana
University, and 35 years of exploring the natural world. In the
fall of 2014, her work will be featured in a solo show at the Hyde
Collection. For the past three summers she has been a resident
artist at the Adirondack Museum in Blue Mountain Lake. Diggory has
extensively researched and written about the19th century painting
perspectives at Lake George of the artist John Frederick Kensett.
Her current blog
http://saratogatrees.diggory.com/
is connected to an upcoming fall 2013 show partnering with
Sustainable Saratoga and focusing on the urban and community
forest of Saratoga Springs. |
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David
Greenberger
In 1979, having recently
completed a degree in fine arts as a painter from Massachusetts
College of Art, Boston, David Greenberger took a job as
activities director at a nursing home in Boston. It was that year
he created The Duplex Planet, a long-running publication based on
his conversations with the residents. Though he worked there only
a couple years, the experience gave him a new direction as an
artist, leading to a number of books, several documentaries, a
comic books series, and recordings. For the past decade his focus
has been on the creation of monologues with music, resulting in
more than a dozen CDs and performances for museums, arts
presenters, theaters, and universities. His pieces have also been
heard regularly on National Public Radio's "All Things
Considered.” In 2008 he was commissioned by the Contemporary
Jewish Museum in San Francisco to create a new work about memory,
titled “Tell Me That Before.” The following year he was artist in
residence for the Center on Age & Community at the University of
Wisconsin in Milwaukee, resulting in the CD and performance
“Cherry Picking Apple Blossom Time” as well as a documentary about
its creation that has been airing on PBS. He is currently
completing a new recording and performance, “They Like Me Around
Here,” for the Kohler Arts Center in Sheboygan, WI. During
the last five years Greenberger has returned to visual art,
picking up with some of the same areas of exploration he had been
pursuing when he purposefully set aside painting in favor of other
media some thirty years ago. His small square drawings are
patterned fields made of words and small marks. They give the
appearance of being abstract but reveal themselves to be quite
specific and sometimes autobiographical. |
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Anne Gregson
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John
Hampshire
John Hampshire (Born 1971, Chicago, IL). BS from Skidmore
College ‘94, MFA SUNY Albany ’97. Selected solo exhibitions
include “Layers and Labyrinths” at The Show Walls, 1133 Avenue
of the Americas, NYC (2008), “Expressive Eccentricities”, State
College of Florida (2009), and “Labyrinthine” in The Project
Room at the Phoenix Gallery, NYC (2005). Selected group
exhibitions include “Black and White”. Lana Santorelli Gallery.
NYC (2010), International Small Works Exhibition. 80 Washington
Square East Galleries. New York University. NYC. (2001-2009),
and “International Works on Paper”. Soho20 Gallery, NYC (2001).
John is Associate Professor of Art at SUNY Adirondack in
Queensbury, NY and lives and maintains his studio in a former
church in Troy, NY with his wife and 4 dachshunds.
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Carl Heilman
Carl Heilman II is an award
winning outdoor photographer who specializes in nature panoramas,
murals, and nature photography of Lake George, Lake Champlain, the
Adirondacks, New York State, and Montana panoramas and photos. He
also creates nature photos of National Parks and other wild areas
in the US and Canada. Carl enjoys working in his digital
'darkroom' to produce fine art prints with vibrant detail. He has
produced Adirondack multi-image programs, and is the photographer
for several books, including, 'Adirondacks: Views of An American
Wilderness', 'The Adirondacks', 'Wild New York', 'Our New York',
and 'Two in the Wilderness'. He is also an avid outdoorsman and
well known for his expertise on snowshoes, his snowshoeing clinics
and digital nature photography and Photoshop workshops.
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Sandra
Hildreth
Artisit's Statement: “I love the wilderness of the
Adirondack Mountains - and most other wild places too. I find
peace and harmony when I am out in the mountains hiking or skiing,
or paddling my canoe in one of the rivers or ponds. This is what I
hope to convey in my paintings. Growing up in Wisconsin, I learned
to love the outdoors as a child. When in college my family moved
to Kentucky and I graduated with a Bachelor of Fine Arts degree
from Western Kentucky University. I taught art in northern New
York for 31 years, but always created art when I had time. When I
retired, I moved to Saranac Lake and started painting full time.
Comfortable with both oils and watercolors, I use whatever medium
seems appropriate for what I want to paint. Working 'en plein air'
(outdoors, on location) has become my passion although I also
paint in my home studio when weather prevents outdoor work”. |
Karen Koziol
Karen Koziol assembles objects to convey an idea, illustrate a
story or define a moment much like a writer uses words. She
usually works within specific themes searching for parallels,
metaphors and contradictions. “It’s always amusing and
challenging for me to create visual truths - things that we all
know to be true or real, taken with a grain of salt or a spoonful
of sugar,” she says. Koziol tends to be drawn toward subjects
that are nostalgic, so the use of objects from the past seem to be
appropriate.
Naton Leslie mentions Karen’s work in is bok That Might Be
Useful: Exploring America’s Secondhand Culture: “Karen’s art
consists of three-dimensional collages or assemblages, junk in
communication with other junk. Entire pieces looked like a hybrid
of knickknack shelf, Cornell box, Rube Goldberg contraption, and
the random pattern of castoffs you might find inhabiting the
corner of an attic. Most of the pieces had a lost quality, as
though something was missing or misplaced, and we were looking at
only part of the whole. Together the found objects created a
narrative, micro-stories about something forlorn or forgotten.” |
Melanie Kozol
Melanie Kozol’s work focuses on color, light and
the landscape. The Northeastern terrain – forests, rivers and
oceans – are primary sites of her investigation. She Says: “My
work is a celebration of color, light and line inspired by the
natural world. I am stimulated by the great outdoors where I
embrace the sights, sounds and smells of the landscape. My
paintings go beyond the literal. I am intrigued by the aura of
light and building a sense of place. Weaving color and line with
form and pattern, I develop an environment much like a musician
layers sound to build a mood. I navigate between reality and
memory, intention and chance. Capturing a play of light or a
suggestion of form, my paintings evoke a sense of the familiar, a
place remembered or just imagined.”
Melanie Kozol received an MFA from the School of Visual Arts and a
BA in Studio Art from Connecticut College. In 2012, she was a
fellow at the Constance Saltonstall Foundation for the Arts and an
artist-in-residence at Teatown Lake Reservation. Other awards
include an NEA Visual Artist Fellowship in painting, a residency
at Skowhegan School of Painting and Sculpture in Maine, and a
Skowhegan scholarship for drawing at the New York Studio School.
Her work has been widely exhibited and are in numerous public and
private collections. |
Heather
Kranz
Artist's Statement: “I have been fervently
drawn to painting landscapes after a particular two-week stay on a
historic farm in Bolton Landing last summer. I felt compelled to
document the natural beauty of Lake George and surrounding
mountains, which stand in strong contrast to the encroaching
development of its shores. I strive to capture my experience with
the moment represented in each painting, allowing myself
painterly, expressive marks. Through these paintings, I attempt to
convey the profound beauty of not only the place, but the temporal
moment of light, air, and sound as seen through the lens of my own
state of mind. My goal is to create the nostalgia or longing for
the experience of that place”. |
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Betsy
Krebs
Artist Betsy (Elizabeth) Krebs received her formal education in
Art from the College of Saint Rose in Albany, NY where she
received an M.S. in Art Education and minored in painting. As with
many artists, however, long before the diploma -- art was always a
part of Betsy's life. Her work has been featured in many solo
exhibitions, and in group exhibitions throughout the North
Country. Betsy's first solo exhibition was in 1990 at the Lake
George Arts Project in Lake George, NY. Solo exhibitions followed
at the Albany Boys Academy in Albany, NY; the College of Saint
Rose (master show) in Albany, NY; the Gibson Gallery in Potsdam
College, Potsdam, NY; the Cool Beans Cafe Gallery in Queensbury
NY; Valley Artisans Gallery in Cambridge, NY; The Hyde Museum in
Glens Falls, NY; the Saratoga Arts Center, Saratoga, NY;
Adirondack Community College, Queensbury, NY; and most recently,
at the L.A.R.A.C. Arts Gallery in Glens Falls, NY. Recently,
Betsy's work was displayed in a group exhibition held at The Hyde
Collection Museum in Glens Falls, NY and The Open Space Gallery in
Saratoga Springs, NY. Before that, group exhibitions included the
L.A.R.A.C. Grant Recipients Show in Glens Falls, NY; the
Adirondack Community College's Guild of Adirondack Artists show in
Queensbury, NY; the Lake George Arts Project Juried Drawing
Exhibition in Lake George, NY; the Urban Cultural Park's Open
Space Invitational in Saratoga Springs, NY; The Hyde Museum's
"Putt Modernism" invitational fundraiser in Glens Falls, NY; and
many other galleries and colleges throughout the Adirondack and
upstate New York area. |
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Stephen
Lack
Stephen Lack is a New York based artist who exhibits
internationally. One of the founding members of the ‘East Village
Scene’ in NYC., his work has been shown in museums and gallery
venues throughout the U.S., Canada, Europe, Japan and Australia.
Stephen has been the subject of a Bravo TV profile on Arts&Minds
as well as a retrospective of car related imagery in 2010
“AUTONATION” at the Illinois State School of the Arts in Normal
Illinois. He had a survey show at the Lyman Allyn Museum in 1999
titled “The Edge of Innocence”. His work is in many major U.S. and
international collections, both public and private.; such as Chase
Bank, Ralph Lauren, The Brooklyn Museum, Australian National
Gallery, Speyer Family , and the Rubell Family collection among
others. His work has been reviewed by many of the major Art
publications, including Art in America; Arts; Art News; ArtForum;
The NY Times; and FLASH Art. He resides in Hebron, Washington
County, NY. Stephen’s connection to Lake George goes back to his
teenage years when for 3 consecutive summers he and his bunkmates
canoed the entire lake; sleeping over at Turtle Island and Rogers
Rock. |
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Bruno LaVerdiere
Bruno LaVerdiere studied at the Art Students League from 1965 to
1967. He was a monk and resident artist at St. Martin's Abbey in
Washington State from 1955 to 1969. Bruno has taught at Skidmore
College, Rochster Institute of Technology, Pennsylvania State
University, Ohio State University, New York University, Greenwhich
House Pottery, Claremont Graduate Schools, and the University of
Gorgia in Catona Italy, and at SUNY Adirondack located in
Queensbury, New York. Numerous pieces of his work can be found in
private and public collections including the American Craft
Museum, NYC, Columbus Museum of Art, Everson Museum of Art, and
the J. Patrick Lannan Foundation. Bruno received Artist's
Fellowships from the National Endowment for the Arts in 1976 and
1990, and an Individual Artist's Fellowship from the New York
Foundation for the Arts in 1987. He also received a three-month
residency grant from the La Napoule Art Foundation in the South of
France in 1991, and shared the job of resident director of the La
Napoule Art Foundation from 1995 to 1996. Bruno is a working
artist living in the Adirondack Mountains in upstate New York. |
Charlene
Leary
Interpretations of natural elements are found in Leary's
fiber work for body and home. Her handwoven, hand dyed and
sculpted fabrics are often enhanced with vintage cloth, shibori,
stamping and felting to create contemporary, hand made cloth for
one of a kind designs. Leary found her expressive voice in fiber
when she was introduced to weaving as part of her occupational
therapy training in 1970. Using fiber to capture the energy of
the Adirondack Mountains where her studio is located, Leary hopes
that her work strikes a visual dialogue with others in her desire
to interpret the diversity of nature. |
Patricia Lyell
Patricia Lyell received her BS in Art from Skidmore
College and her MFA from the Mt. Royal Graduate School of Painting
at the Maryland Institute College of Art (Baltimore, MD). She has
shown extensively throughout the region, including at the Lake
George Arts Project, the Saratoga County Arts Council, the Rice
Gallery in Albany, NY, and Blue Mountain Gallery in NYC. Her work
is held in the permanent collection of the Hoyt Institute of Fine
Art and in several corporate collections in Albany, NY and Boston,
MA. She is a Visiting Assistant Professor of Studio Art at
Skidmore College, teaching courses in Drawing and Painting. She
has won several grants, awards and residencies including a
decentralization grant from the New York State Council on the Arts
and a residency at the Vermont Studio Center. |
Virginia McNeice
Virginia McNeice's work in oil and pastel is inspired by nature,
and her primary focus is color relationships, contrast and the
effect of light at various times of the day. She lives and works
on an old farm in Cambridge, NY where she also displays her work
and teaches workshops in her studio/gallery. Born in New York
City, McNeice attended Pratt Institute of Art and has studied at
the Art Student's League, SUNY Albany, Skidmore College and the
Vermont Studio Center. She is currently represented by the Valley
Artisans Cooperative in Cambridge. Her work is included in many
private, corporate and public collections. |
Gammy Miller
Gammy Miller is a native New Yorker whose formative
years were spent collecting and identifying plant and animal life
along the south shore of Long Island and Putnam County. Her plan
to be a marine biologist was quashed when she refused to swim in
waters over her head. She turned to the textile arts and drawing
using the natural sciences for subject matter and inspiration. Her
principle media have been pen and ink, collage, waxed linen and
thread. Her current drawings are depictions of small non-viable
organisms in which the course of natural selection has gone awry.
They can be seen as amusing although their intention is to bring
awareness to the environmental changes threatening our wild life
and waterways. Her work has been shown in many New York
galleries including the Courthouse Gallery, Lake George; The
Lapham Gallery, Glens Falls; The Hudson Opera Gallery, Hudson; The
New York State Museum, the Paramount Center and the Center for
Book Arts. Her work is in the collection of the Roberson Museum
of Arts and Sciences and the Museum of Decorative Arts in Little
Rock, Arkansas. |
Catherine
Minnery
Catherine Minnery views the landscape as an important source of
inspiration, particularly the Hudson Valley and the Adirondack
region of upstate NY. "Working from nature is important to me but
the final work is done in the studio. In the environment, I make
quick sketches in small journals, covering the drawings with
written notes. Perhaps a small watercolor study and a few quick
photos will be done for reference, but I rely more on memory and
the unseen, not the strictly visual, when creating a piece.” In
June 2010, she was part of the “Tomorrow’s Masters Today” exhibit
at the Albany Institute of History & Art, Albany, NY, where she
was one of ten artists whose work was chosen to be designated as
part of the “Master Class”. In 2001, she, along with painter Anne
Diggory, was part of the New York Times, “In Art’s Footsteps”; a
10 part series that revisited locations illuminated by the Hudson
River School Artists. Her work is in museum, corporate and
private, national and international collections. She is a graduate
of the Art Academy of Cincinnati, Cincinnati, Ohio and a resident
of Saratoga Springs, NY. She has been a member of the Piermont
Flywheel Gallery, Piermont, NY, since February 2004 and has had 5
solo exhibits at that location. |
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Mia
Muratori
Mia Muratori studied painting at the Art
Students League in New York with Robert Beauchamps, ceramics at
the Ceramics Institute in Faenza, Italy and received her MFA from
the University of Delaware. Muratori exhibits nationally and
internationally. Her work reflects thoughts on the evolution of
consciousness, the construction, destruction and reconstruction of
popular myths and symbols and the promotion of universal themes.
She recently began making rugs after realizing that her artwork
had much in common with traditional Oriental and Tibetan rugs. “I
am driven to make thoughts visible through visual narrative,
similar to rug weaving cultures around the world. Our life is a
reflection of our consciousness and rugs are a reflection of the
lives of the people who make them and those who use them.
Historically rugs have held documentation of man’s achievements
and adventures.” |
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Vicky
Palermo
In the “Pool Party” series, Palermo invites the viewer to dive
into pools of color and light. Her current work incorporates the
light effects of colored translucency in multiple forms at various
scales. Her most recent project “Bus Stand” is a permanent public
work commissioned by Kidspace at Mass Moca, installed in the city
of North Adams, MA. Palermo is represented by John Davis Gallery
in Hudson, NY. Her work has been featured in exhibitions at MASS
MoCA, North Adams, Art in General, New York, White Columns, New
York, and Williams College Museum of Art, Williamstown, among
others. She received her BS from Skidmore College and her MFA from
Bennington College. Palermo is currently a Visiting Assistant
Professor of Studio Art at Skidmore College. She lives in
Queensbury, NY. |
Leslie Parke
Leslie Parke, a painter from upstate New
York, is a recipient of the Lila Wallace-Reader’s Digest grant as
artist-in-residence at the Claude Monet Foundation in Giverny,
France, and the George Sugarman Foundation Grant, among others.
Her exhibits include the Williams College Museum of Art, the
Museum of the Southwest, Midland, Texas, the Fernbank Museum in
Atlanta, Georgia, Milwaukee Art Museum, Wisconsin and the Museo de
Arte Moderno in Buenos Aires, Argentina. Leslie has a BA and MA
from Bennington College. Her work is in numerous corporate and
private collections. Her paintings are currently on exhibit in
Toronto, Canada, Houston and Dallas, Texas, and San Francisco,
California. Leslie lives on the New York/Vermont border and works
in a studio that spans the top floor of a 19th century factory
building. Over the years she has worked on both sides of the pond
in Sweden, France and Germany. |
Liz Parsons
Artist’s Statement: I thrive on the unknown. The less that I have
planned out before the start of the picture, the better the
process seems to go. First, the canvas is stretched on wood
stretchers that I cut and screwed together. It’s sanded and given
a color. (what ever color is available and appealing at the time.)
Then I use one of my larger paintbrushes to broadly apply paint –
largely by using intuition, instinct and experience. This stage is
meant to be expressive and free of judgments, as to broadly
explore my limitations, strengths and weaknesses as an artist.
That layer is meant to sit awhile to dry. In the meantime, I look,
read, draw, search for something in my books, in my head, in my
life that is currently interesting to me – and I learn about it.
This is where all of my “process-art” comes in. |
Nadia
Rymanowski
A native of the Albany Area, and still a resident, Nadia Spiak
Rymanowski has always been fascinated with Lake George, with its
majestic mountains and endless waters, and with its surprising
changes in color and light. Her rich atmospheric views evoke all
the seasons, from the ice flows of late winter, to the hard
contrasts of Summer and Autumn. Though starkly representational,
the paintings exude the atmospheric and coloristic mood, both
spiritual and emotional, of the lake. “I am still painting Lake
George,” she says. “The best landscapes make you want to return
and Lake George inspires this sentiment in me. The sky, the light,
the horizon and the great passage of clouds, somehow take hold of
you.” Ms. Rymanowski has a BFA Degree from the University of New
York at Albany and has studied at Skidmore and Russell Sage
Colleges. Her landscapes have been widely exhibited in Art
Galleries throughout the United States and are found in numerous
private and corporate collections. She is listed in the
publication “American Artists of Renown”. |
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Jon
Segan
Jon Segan lives and works in Fort Edward NY. He studied painting
at Pratt Institute in Brooklyn NY. After many years he returned to
doing art work in 2007. His work combines painting ,sculpture, and
assemblage. He has been showing his work regionally, including the
Lapham Gallery in Glens Falls, The Small Gallery in Cambridge, The
Mohawk Hudson Regional in Albany, and the Fence Select show in
Troy. |
Richard
Stout
Richard Stout, a resident of Hague, N.Y., was a life long
summer resident before moving there permanently. He received a
B.A. in Fine Art and Education from West Virginia Wesleyan College
and a Masters in Fine Art from Montclair College, Montclair, N.J.
Richard Stout taught Fine Art for 20 years at both Ocean County
College and Brookdale Community College in N.J. He has exhibited
in many juried art shows, college exhibitions and private
galleries("Art Forms", Red Bank, N.J.). Richard Stout paints in a
style that reflects an appreciation of "Modernism". Primarily a
landscape painter, nature (Lake George and the Adirondacks) in all
four seasons are recurrent themes.
Richard Stout is also a
contributing art columnist for the Lake George Mirror. |
Marguerite
Takvorian Holmes
Marquerite came to the United States in the 1970s
and studied at the Art Student League for several years. She was
introduced to the techniques of the old masters by Frank Mason and
studied drawing with Robert Beverly Hale. Later, with Richard
Poussette-Dart, she was exposed to Abstract Expressionism, where I
began my struggle to reach an inner vision. In the early 90′s she
studied photography at the International Center for Photography in
New York City, where she bridged her learning of Abstract
Expressionism, old masters technique, and photography, and began
to experiment with oils, acrylics, and photo-transfer. When she
moved to Washington County, New York, she felt an overwhelming
desire to go back to a more descriptive form of expression by
studying nature and finding a way to translate her understanding
of its beauty into her work. She took her French easel back into
the fields and let nature guide her brushes. |
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Andrew
Thompson
Bio / Statement: "I am an artist, illustrator and bookbinder born
and raised in Brooklyn, New York. I am interested in the natural
world and have focused most of my painting on wildlife and their
living environments. Many of my works are created to be integral
parts of one-of-a-kind or limited edition art books. Exploring the
balance between traditional binding disciplines and traditional
visual media has allowed me to create book forms that have content
as compelling as the form and conversely are not simply decorative
vessels for presenting visual media. Similarly, the design
bindings I have created for existing texts explore the same realm
of form and function and are a very direct, but unique way to
respond to another artist or writer’s creative work. I spent over
a decade in the art world as a scholar and dealer in turn of the
century American paintings. I worked extensively on compiling the
forthcoming Thomas Hart Benton Catalogue Raisonne and continue to
be a member of the Catalogue’s Expert Committee. This time
studying the work of the great American masters from the 19th and
20th century was vital in the development of my work and has
continued to be a strong influence on my aesthetics. I have a
studio and small bindery in Brooklyn and spend as much time as
possible in the Adirondack Mountains of New York and the Wasatch
Mountains of Utah". |
Dolores
Thomson
Artist Statement: Creating with clay has been a
journey of self-discovery. In learning to center the clay I found
a way to center myself. As I explore the variety of forms and
learn the complexities of the ceramic process, I find new ways in
which to express myself. Nature, as well as Native American and
Japanese aesthetics, inspires my designs and the forms I make.
The majority of my work consists of wheel thrown vessels. For me,
the vessel is representative of the self, a receptacle for things
that matter and need to be kept safe. In ancient times the vessel
was a symbol for the Feminine; the giver of life,well being and
nourishment. Clay has taught me to have focus and patience. By
its very nature clay connects us to the Earth, and I find my
awareness of nature heightened. As I continue to create with clay,
I continue to create myself. I have been creating with clay for
over twenty-five years. My work has been shown in galleries and
featured in shows and art fairs in upstate New York. I studied
ceramics at Skidmore College and for 12 years was the teacher's
assistant for the evening raku/sagger class. I currently teach
clay classes at my studio Clay Concepts Pottery Studio, and am the
owner of Thomson Gallery, both located in The Shirt Factory in
Glens Falls, NY . |
Laura
Von Rosk
Laura Von Rosk's paintings depict an experience of a landscape.
Memories or impressions are refined: a sand ditch along the
highway, a gravel pit, a cultivated field, or just a peculiar bend
in the road. "There is a tension between form and what's going on
in the real world. And the form (dips, ditches, open fields, etc.)
isn't just a product of what I see, but combines what I know about
constructing paintings with some deep and as yet unconscious
memory system with what I see in the landscape." Laura Von Rosk
received her MFA from the University of Pennsylvania, and her BFA
from the State University of New York at Purchase, NY. Her awards
include a New York Foundation for the Arts Fellowship in Painting,
a grant from the Pollack-Krasner Foundation, and residencies at
Yaddo, Blue Mountain Center, The Millay Colony, Centrum, and
Dorland Mountain Arts Colony. |
Bob
Walp
Robert Walp began his bookmaking career in the
Spring of 2000 at Vermont College in Montpelier, Vermont. He has
participated in numerous book arts workshops since then and in
2006 earned an MFA in the Book Arts from The University of
Alabama, where he received the Raymond F. McClain Book Arts Award.
His work can be found in many collections including The University
of Vermont Bailey Library, Dartmouth College Rauner Library, Brown
University Rockefeller Library in Providence, Rhode Island, The
Library of Congress, The New York Public Library, the Penland
School of Crafts Archive, The Smithsonian Institution Libraries,
and The Shelburne Museum in Shelburne, Vermont. Robert works from
his studio in the Adirondacks under the imprint of Chester Creek
Press and has taught workshops in New York at The Adirondack Lakes
Center for the Arts in Blue Mountain Lake, Bluseed Studio in
Saranac Lake, the Town of Chester Public Library, and the Lake
George Arts Project. He has also taught at Penland School of
Crafts in North Carolina and at The Great River Arts Institute in
Bellows Falls, Vermont. He is a member of The Guild of Bookworkers
and The Fine Press Book Association, and is curator of the Book
Arts Collection at the Town of Chester Public Library. |
Theodore
P. Zoli, III
Theodore P. Zoli, III is an American
structural engineer, and a leading designer of cable-stayed
bridges. He is currently the National Bridge Chief Engineer at
HNTB Corporation and is a 2009 MacArthur Fellow. In 2012, he
received the Award of Excellence from Engineering News-Record
(formerly the Man of the Year award). Zoli graduated from
Princeton University with a B.S. in 1988, and from the California
Institute of Technology with an M.S. in 1989. Since 1990, he has
worked for HNTB Corporation. He is also a visiting lecturer at
Princeton University and Adjunct Professor of Civil Engineering
and Engineering Mechanics at Columbia University. In the aftermath
of September 11, 2001, Zoli has focused on the retrofit of bridges
across the United States. He developed a novel composite material
for lightweight, blast-resistant coverings for a broad array of
construction applications. Most recently, Zoli designed the new
Lake Champlain Bridge connecting New York to Vermont, replacing an
older structure. The unique segmented arch design has garnered
praise from local users who were kept in the design loop
throughout the conceptual phase. |
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